Back to CD catalogue   Check/Modify Basket Recordings to celebrate the world of the oboe OBOE SONGS These downloads cost from £0.50 each, depending on length. They can be combined with CD orders, but even if you aren't ordering a CD please humour the software by giving a postal region and copying your billing address into the delivery address. There are no postal or other charges for downloads, and there is nothing to join. For Credit Card payments the minimum is £0.99; for PayPal £0.50 works fine. When payment is accepted, you get a link to each download. This link is also on your confirmation email, and is active for at least 24 hours. After going to the basket, return here via your browser's Back button. New to downloads, or want more information? Click here. Any problems, contact mail@oboeclassics.com song and price artist album details Ravel, Le Tombeau de Couperin Forlane: Allegretto with Julian Milford (piano) Gentle, exquisite, melancholy 6 mins 48 secs; £0.75 Emily Pailthorpe Album details    Listen to sound clip Ravel wrote Le Tombeau de Couperin for solo piano over the period 1914-17 as a memorial to friends killed in World War I. He chose to make the music a double memorial by stylistically harking back to the earlier glories of French Baroque music. He orchestrated it in 1923, choosing the poignant sound of the oboe to carry much of the melody. This special arrangement by Daniel Pailthorpe bears both the orchestral and the piano versions in mind. © 2003 Emily Pailthorpe Bliss, Quintet for oboe & strings: Vivace with Simon Blendis, David Adams (violins), Louise Williams (viola), Jane Salmon (cello) Irrepressible, foot-tapping music 5 mins 46 secs; £0.75 George Caird Album details    Listen to sound clip Arthur Bliss wrote his Oboe Quintet in 1923. The frenzied opening of this third movement plunges us into a world of virtuosity and vivid expression. Just as the impetus is established, Bliss introduces an Irish jig as a brilliant new idea, and the music becomes more and more frenzied, eventually disintegrating into a quiet passage in which the jig is pitted against cross-rhythmic strings. But the momentum is soon resumed and the Quintet brought to a virtuosic close. © 2004 George Caird Albinoni, Adagio in B flat from Concerto Op 9 No 2 with Combattimento Consort Amsterdam, conductor J W de Vriend A sublime oboe soaring over the strings 4 mins 27 secs; £0.65. Han de Vries Download only - not available on an Album; but for more of Han de Vries on Oboe Classics, click here    Listen to sound clip The reputation of Tomaso Albinoni (1671-1751) is probably higher now than at any time since his own age, when his intrumental music was much in demand all over Europe, particularly among amateurs. His oboe concertos were the first of their kind by an Italian composer to be published, and he treated the oboe much like the human voice in his many arias, demonstrating his remarkable melodic gifts to the full. © 2007 Jeremy Polmear, with thanks to Michael Talbot and the Grove Dictionary Stephen Dodgson, Suite in D, 1972: Prelude - Ground - Canzonet - Dance with Katharine May (harpsichord) Haunting and vibrant 8 mins 43 secs; £1.00 Althea Ifeka Album details    Listen to sound clip Stephen Dodgson feels he owes his commitment to the clarity of texture in his music to Janácek and Stravinsky, something that is very apparent in the Suite in D. Based loosely on the Baroque dance suite, with its Prelude freely written in common time, its pulsating, rhythmic Ground, its lyrical and reflective Canzonet in triple time and lively final Dance, Suite in D represents a considered synthesis of the old and the new. © 2005 Althea Ifeka Antonino Pasculli, Le Api (The Bees): Allegro vivacissimo with Stephen Robbings (piano) Extreme virtuosity - how does he do it and still make it sound like fun? 4 mins 21 secs; £0.65 Christopher Redgate Album details    Listen to sound clip The virtuoso oboist/composer Antonino Pasculli's Characteristic Study Le Api makes extraordinary demands upon the breathing technique. Unlike most of his works, this is not an operatic fantasy but a completely original composition, first performed by him in Milan in 1874. It is the very essence of a virtuoso work - succinct, gripping the attention by the sheer daring of its writing. It is an exquisite example of the genre. © 2003 Christopher Redgate Telemann, Presto La Fontaine: Koji Ezaki, Masamitsu San'nomiya (baroque oboes), Teruo Takamure (cello), Makiko Mizunaga (harpsichord) Baroque music at its most exuberant 2 mins 25 secs; £0.50 La Fontaine Album details    Listen to sound clip Georg Philipp Telemann (1681-1767) is renowned as one of the most prolific composers of all time. He enrolled as a law student in Leipzig, but his compulsion to compose would not be stifled by parental pressure to pursue a sensible career, and soon he was providing music for the Thomaskirsche and Nikolaikirsche each fortnight. He also somehow found time to direct opera and even appear on stage in a singing role. His later career followed a similar pace. This Presto is from a Concerto in E minor. © 2002 Stephen Pettit and Jeremy Polmear Fauré, Pièce (vocalise 1914) with Clarence Raybould (piano). Mono recording from 1931 Possibly the best-known oboist of all time shows how he can sing 2 mins 49 secs; £0.50 Léon Goossens Album details    Listen to sound clip Of Léon Goossens it was once said: "There is perhaps only one other musician who can so etherialise his instrument. One thinks of Casals and his cello." Of his rubato and fluency Léon had this to say: "Musical notation has its limits. It can never give you the full insight into the way to perform. The performer has to breathe life into the music with subtle inflections and shading." © 2002 Melvin Harris J S Bach, Gigue Deirdre Lind, Catherine Smith (oboes), Deirdre Dundas-Grant (bassoon), Alastair Ross (hpschd), with rhythm section A gentle rock beat adds spice to Bach 2 mins 43 secs; £0.50 The Sheba Sound Album details    Listen to sound clip Johann Sebastian Bach (1685-1750) has always responded well to arrangments, and he does here too in this Gigue from his Fifth French Suite, with two oboes in stereo over a rhythm section. "My idea was to rock up some baroque music, and Gordon Langford arranged four pieces", said Catherine. I commented that she herself was playing second oboe on this track - unusual placing for the leader of the group. "We often swapped round - sometimes in the middle of a session. It keeps the lips rested." © 2006 Catherine Smith & Jeremy Polmear Beethoven, Adagio for a Musical Clock with Diana Ambache (piano) Beethoven in surprisingly mellifluous mood 4 mins 51 secs; £0.65 Jeremy Polmear Download only - not available on an Album; but for more of Jeremy Polmear and Diana Ambache on Oboe Classics, click here    Listen to sound clip The musical clock - a mechanical instrument that played music at regular time intervals - has a history in Europe covering several centuries. By the late 18th century these clocks were sometimes extremely elaborate, especially in Vienna where Beethoven wrote this piece, probably in 1799. The mechanical nature of the instrument seems to have inspired him into writing a most fluid melody, and certainly on the oboe it sounds more like an opera aria than a mechanical ditty. © 2007 Jeremy Polmear You're My Thrill, (Green) with 9:20 De-Luxe, leader Pete Long Exotic cor angais (english horn) in a Big Band context 3 mins 24 secs; £0.65 Juliet Lewis Album details    Listen to sound clip You're My Thrill comes from a CD by the 9:20 De-Luxe Band, led by the irrepressible Pete Long. This latin-tinged torch song takes us into the world of Film Noir. Listening to the sympatico solo performance by Juliet Lewis, and with atmospheric dissonance from muted brass and bass clarinet we can understand the full range of possibilities from the five players who make up the front line. © 2004 Tritt Bowdler CAN'T FIND THE DOWNLOAD YOU WANT HERE? Oboe Classics has supplied CDs 2, 3, 4 (some), 5, 6, 7, 8, 9, 12,13,14,15 and 16 to the standard download sites. (These numbers are at the bottom of each CD description in the Catalogue.) For example, you could try emusic.com or classical.com (these links will take you straight to the Oboe Classics section of the sites). Napster has a good selection - type in the artist to search. iTunes has a smaller selection - search via your iPod software. If you can't find what you want, get it elsewhere and then import it into iTunes. Of course, you can always buy the CD here. It's probably more expensive than downloading it, but you've got the artwork and photos, the notes (many Oboe Classics CDs have 6,000 words), and a permanent version of the music if your iPod or MP3 player breaks, or is lost or stolen.

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